Friday, February 6, 2009

Now, Now Every Children


There is something about cute girls and square waves that just make me feel warm inside, and on CARS, the debut full length from Now, Now Every Children , there is plenty of this action to go around.  I first came across this band a few months ago on this shitty pop punk music blog, and was happy that for once a quality band was being mentioned.  I have been hooked ever since.

Cars was released in December on Minneapolis based label Afternoon Records.  At 11 tracks, the album seems to end just as soon as it begins (which I still have yet to decide is a bad thing).  With a drum, guitar, synth setup, Now, Now could have easily followed the Mates of State/Matt and Kim path of sugary synth/drum pop but instead rise above (had to) the former with a more serious approach to song writing more akin to the likes of an Eisley or Copeland.  Singer Cacie Dalager's soft sung voice makes for beautiful one on one moments between her and her synthesizer that make you feel every word sung (see Sleep Through The Summer).  Surprisingly though, when the dynamics shift, and the rock comes out (In My Chest) Dalager's voice does not crumble under the weight of the pounding drums and driving guitars.  

I would be remiss if i did not mention this records production.  I am in love with it. I think best described as mid-fi? the drums have the perfect "recorded in the basement" vibe and both the drums and the keys have that warmth that only tape can provide.  The soundscape created on Cars makes it great background music so some "deep" conversation between friends.  If Cars suffer from any faults, it is certainly on the album level.  I cannot seem to find songs to skip over, certainly no filler tracks.  While this is certainly a good thing, I feel this is because some songs tend to sound the same, and if not paying some semblance of attention while listening, you may not realize your listening to a new song.  But please do not let this deter you from checking out this band, they are indeed a gem among the pop-punk scene (which they do not belong in).  They head east in March for the first time playing the bamboozle fest (lame), and are playing some east dates before and after.  Any interest in seeing this band come to Philly? I would absolutely love to have them in town.  

Highlight Tracks



Wednesday, February 4, 2009

Flirt Till You Hurt!!


**** the following is going down in two weeks at the berks warehouse. Without a doubt, this will be the best party you will go to in such a long time. below is all the info you need to know about it.



BE OUR VALENTINE!!!
Oh shizz,
Next Friday, come find your Valentine at the Berks Warehouse.
You came to SHALLOWEEN 2K8...you partied...you went home with somebody embarrassing/awesome...you wanted to come back and do it all again. Here's your chance!!!
There will be:
- Kissing booth
- Condom-grams
- Awesome
- Cupcakes
- Disco
- You/Me
- An even BIGGER decorating concept than in October
PARTY OF THE YEAR!!!

Fri, Feb. 13
FLIRT TILL YOU HURT!!!

FIND YR VALENTINE OR LOVE THE ONE YOU'RE WITH!!!
1850 N. Hope Apt. 12

DJ SNAKPAK (Bouffant Bangout)
LIVE PERFORMANCE BY SGT. SASS (PHL gay hardcore hip-hop)
DJ SASSY JEFF (Sgt. Sass)

BYOB 21+
Remember...you only need to find a 24-hour Valentine. Find 'em, grab 'em, love 'em and leave 'em fast!!! OR find true love and make a million babies! THIS IS AMERICA YOU GUYS! YOU ARE FREE TO LOVE!
YOU TOO, GAY PEOPLE! SCREW THE VOTING PUBLIC OF THE STATE OF CALIFORNIA...LET'S LOVE 'EM OFF THE CONTINENT!!!
XOXO,
Jesse Valentine
Claire
MINK
Downtown Kimmy Brown
Gallman
Marilyn
Andy




Tuesday, February 3, 2009

The Pains of Being Pure at Heart


Not only an apropos title for a first blog post (because are not our aching hearts the genesis of the blog atmosphere ( I will never combine those two words)?) Anyways.. The Pains Of Being Pure At Heart are a newish group with a their first full length album being released today on Slumberland, and sweet sassy molassie is it a gooden.

While indeed the band may not be traversing new territory with this record, they certainly find a way to make their sound fresh, and make me care less that it is not. While invoking the ghosts of dream pop past, they are able to maintain strong pop sensibilities. The male/female vocals provide enough hooks to reel you in, while the softly distorted guitars provide an airy texture that makes this record great for listening with your lights off, your eyes shut and your headphones in. The latter might be difficult to achieve on such songs as "come saturday" and "orchard of my eye," where the rhythm section will simply force you off your ass, and make you dance.

All in all, this is a very good record, and would instantly recommend this to anyone who is a fan of melodramatic reverb soaked pop (aren't we all?). I am expecting big things from this Brooklyn based band, and certainly hope they get the recognition this album merits. If you seem as interested in this band as I am, please do join me in person This sunday February 8th, at Kung Fu Necktie (front and thompson) at 8pm for (as far as i know) their first philly show.  

Highlight Tracks
This Love Is Fucking Right!
Come Saturday

Sunday Feb. 8th 
Kung Fu Necktie
1250 n Front street (one block north of front and girard)
show starts at 8 - ten bones to get in

The Pains of Being Pure at Heart
Brown Recluse Sings
Depreciation Guild